
Screened at the 12th Galway Film Fleadh, 11-16 July 2000. (Programme of the 12th Galway Film Fleadh, 11-16 July 2000). The story is a potent cocktail of horror and black comedy that should entertain and alarm in equal measure. They unwittingly find themselves trapped in a world of terror, suspense and wall mounted ceramic ducks.
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The tale of a young couple whose search for a suitable property takes an unexpected turn. Report on World Book Day an interview with novelist Deirdre Purcell on how her work is explained in relation to her home in Beara interview with Colm Collins of Collins Publishers who talks about the continuing popularity of reading interview with children's fantasy-horror novelist Darragh Shan (O'Shaughnessy).ĭerek Halligan, Niki Doherty, Paul McEneaney. Radio Telefís Eireann/RTE News and Current Affairs In particular it focuses on his lifelong friendship with Henry Irving and Stokers work as his assistant at the Lyceum Theatre in London. The programme documents Bram Stoker's life from his birth in 1847 two miles north of Dublin, his childhood illness, his time at Trinity from 1863, his work at Dublin Castle as a civil servant, and his friendship with Sir William and Lady Wilde, and their son Oscar, and Bram's marriage to Florence. Discusses theories regarding his inspiration for the novel 'Dracula' published in 1897, and how the pre-occupations, obsessions and themes come from Stoker's own Irish Background.

(Taken from the 2003 IFB Review)ĭocumentary about the life and work of Bram Stoker. Screened at the 44 Cork Film Festival, 10 -17 October, 1999.Ī profile of Dublin-born novelist Bram Stoker - this documentary looks at Stoker in a new and revealing perspective, focusing in particular on the psycho-sexual elements of the novel as reflected in Stoker's biography.īreaking the coded silence that surrounds Bram Stoker, the creator of one of literature's most chilling and unforgettable characters, this documentary gives a unique understanding of the warring elements in his nature and sexuality that led him to write his masterpiece of the Gothic horror novel, Dracula.
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'The Famine Ship' is the work of John Behan, one of Ireland's most celebrated and respected sculptors, and the film gives the viewer a rare insight into how an artist of Behan's stature approached, through his work, the full horror of the Famine. In the summer of 1997, the largest bronze sculpture ever executed in Ireland was unveiled in Murrisk at the foot of Croagh Patrick, Co. Irish Film Board/Bord Scannán na hEireannĭocumentary about the construction of John Behan's huge sculpture which was erected at the National Famine Memorial at the foot of Croagh Patrick in Murrisk, Co Mayo. The author suggests that disinformation operations aimed at (democratic) elections in the context of public international law will most likely be regulated (if) by a combination of custom and bottom-up law-making influencing and reinforcing each other.Radio Telefís Eireann/RTE Independent Unit Stretching current international legal norms to cover the issue does not seem to be the optimal solution and a binding international treaty would also need to overcome various hurdles. However, due to open questions and the geopolitical context, many States refrain from clearly labelling them as internationally wrongful acts under international law.

Given the growing prevalence of disinformation operations aimed at (democratic) elections, the question arises as to how international law applies to such operations and how States under international law might counter such hostile operations launched by their adversaries.įrom a legal standpoint, it appears that such disinformation operations do not fully escape existing international law.

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Disinformation has the potential to sway the outcome of an election and therefore discredits the idea of free and fair elections. As seen in the 2016 US presidential election, especially with the conduct of the Internet Research Agency, this poses challenges and threats for the (democratic) political processes of internal State affairs, and in particular, (democratic) elections are under increasing risk. Due to new technologies, the speed and volume of disinformation is unprecedented today.
